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Daily Archives: December 23, 2022
The Reclining Nude: Agnes Varda, Catherine Breillat, and Nan Goldin
偶見‘’鏈鋸人動畫‘’在Netflix上架,其血腥暴力竟令人“動容”。但奇怪地發現第五集竟然播不了。。。翻查之下,原來是涉及情色:男角撫摸/褻玩另一女角的胸。。。 20 世紀和 21 世紀女性電影製片人和攝影師的作品中,女性斜倚、休息、展示、遺棄、倒下、睡著或做夢的形象再次出現。電影製作人 Agnès Varda 和 Catherine Breillat,以及在南巴黎工作的美國攝影師 Nan Goldin,回到Titian Velázquez、Goya、Courbet和其他人的畫作,重新想像和重新利用她們關於女性美、展示、(自動)色情和親密的形象。 這本書” The Reclining Nude: Agnes Varda, Catherine Breillat, and Nan Goldin“是對這些女權主義作品的感性喚起,聲稱女性在觀看中獲得了一種獨特的樂趣。藝術家們探索將休息和性感的圖像與其他水平和俯臥的圖像、強烈的情感內容、色情參與的圖像、脆弱性、身體扭曲、無精打采、悲傷和抑鬱的圖像對齊。斜倚的裸體是三位藝術家的起點對電影、投影和靜態攝影與繪畫之間關係的反思,以及對通過連續返回特定姿勢而產生的意義的持續重新想像。 本書還聲稱斜倚的裸體形像是引人注目的,對於女性身份的藝術家 – 以及所有與感受和描繪女性氣質有關——在它所涉及的敏感、道德冒險、政治複雜的女權主義問題上。斜倚的裸體是被動、順從和享樂主義的形象。它允許將被動視為快樂,將抑鬱和悲傷想像成姿勢,關於惰性作為抵抗和無政府狀態的一種形式。通過這些圖片,女性身份的藝術家聲稱可以自由地為這些極端的情感提供新的關注。他們正在重新想像水平性。
Posted in 思一瓢酌 Thinking, 讀一瓢酌 Read
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