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Monthly Archives: March 2017
想念妳
想念你 絲絲扣 難耐 能耐 難耐 能耐 難 能 難 能 難 能 …… 難…… 難耐還需耐、還須耐 耐得腐朽 為塵土 為枯木 為虛無漂渺的空虛 ……
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生活
哲學讀得令人困惑,眾說紛擾,總是說不清 歷史也只能令人憂傷,人類都是從血淚中走過來(雖則其中有各種各樣的文化、文學、藝術等的滋潤) 數理則往往令人過於理性,而產生人與人之間的疏離,被人覺得乾澀…… 唯生活於世間,能入能出、游刃其間,既親近亦疏離,既熱亦冷……如是者方得享其孤獨而又不致於絕活……
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女人味兒
青春的美是平凡的,就像盛開的花。不值得評價。但過了三、四十歲還美,這美就開始有被讚美的價值:是內在或外在等。往後五、六十歲的美才是真美。 女性的美有多面性:裝扮整齊固美,雲雨過後也美。一絲不掛,羞答蜷縮更美….. .女人有各式各樣的美,但男人永遠只能窺見一二。浪費才/財帛固可惜,但只見女人一二種美更可惜。 女人味兒:男人的美是靜若高山聳立,動若大海奔騰;而女人的美應是靜若溫秀春水,動若翩翩柳絲。男人美主要體現剛強,而女人的美體現在柔媚。所謂的柔媚即 女人味兒,世界上萬事萬物都講和諧,柔媚的男人和剛勇的女人是反自然的。缺什麼補什麼,男人與女人剛柔並濟便是與自然和諧,和諧即美。男人的剛需要女人的 柔去克,所以人們才常說:博士帽敵不過女人味兒。 簡而言之,漂亮的女人這種肉體上的事物是美好的,然而真正重要的是伴隨生活而來的智慧、熱情,以及可以感動別人,也被別人感動的細緻心神。
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spiniza & hegel
從哲學家的作品看哲學家…… 。斯賓諾莎(spinoza),他的作品就像是一座歌德式的教堂:規則的建築、崇奇、和諧。事實上,他的生活也是一種刻苦、規律、平實 。黑格爾(hegel)的作品將人類的精神領域提昇至絕對之中。架構工整、一絲不苟,但却缺乏了那人間煙火味:沒有眼淚、歡笑、美酒、咖啡、美食、快感、和女人 。
Posted in 思一瓢酌 Thinking, 獨語一瓢酌 soliloquy
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事、女人與食
美事和女人這兩個語辭並沒有競爭之處、而只有互補。感官開始之處就是宗教和哲學結束的地方、亦是生活開始的地方。於是,神聖之物被瓦解、分析、像醬汁般被濃縮。飲食、食物成為生活藝術的唯物主義原則,於其中沒有上帝、亦沒有諸神…… 尼采於是出現了,他要我們關注身邊事物,將日常生活的碎片寫成歷史…… 然後,漸漸地,人認為嘴巴是通向自我美學的入口。於爾,美食的科學誕生了。最後,michael foucault出現了,他承受病痛、亦在作品中展現了一種認識論的轉向:在他未完成的三册“history of sexuality(性史)”的結尾處頌讚基本的邏輯:愛、快感、性、身體。論述社會機器排斥差異與制造規範之後,foucault投入了最隱秘、最刺激的鍊金術。最终,對關键問題的真正尼采式思考浮現出來了
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